Wednesday, July 15, 2026

A Fascinating True Crime Story Born from Obsession!

My first time trying to review a true crime book, let's see how this goes...

Zodiac is a 1986 book by Robert Graysmith, an artist and cartoonist who was a youngster working with the San Francisco Chronicle back in the 1960s when the whole Zodiac murder thing happened. He wasn't part of the Chronicle's investigative team. He got obsessed with the case, and this is the partial story of his investigation into what we know and what he thinks he knows.

Graysmith wasn't just reading reports, either; he got personally involved with interviewing suspects, victims, and law enforcement. He has a number of his own theories.

Wednesday, July 8, 2026

A Damn Good King Arthur Story... Review of Bernard Cornwell's "The Winter King"

This one was a doozy, but a good doozy. The Winter King is the first book in a trilogy that Bernard Cornwell calls "The Warlord Chronicles." It's a retelling of the King Arthur legend, but with extra attention paid to incorporating the scraps of historical data we have from back then, as well as a dark, gritty, and earthy interpretation that refuses to whitewash the characters or the setting.

It was a really, really good book.

Wednesday, July 1, 2026

Doc Smith's Last Book Is Familiar but Different... Skylark Duquesne Review!

I'm finally getting around to finishing the Skylark series! Even though Skylark of Valeron had a pretty definitive ending back in 1934, apparently lots of readers, including Frederik Pohl, wanted more Skylark, and in 1965, Doc Smith agreed. He serialized the new book, Skylark DuQuesne, in IF Worlds of Science Fiction and collected into a book in 1966.

It was Smith's last book before he passed away.

Like a lot of Smith's stuff, the book starts with a crazy revelation--the method Seaton and company used to keep DuQuesne and the bodiless intelligences out of trouble turns out to have a fatal flaw, and probably won't last very long. This kind of reframing or even retconning is a pretty common element in Smith's sequels, so it wasn't too jarring. In fact, the reason given and the logic behind it is subtle but surprisingly sound.