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It's odd. I of course know who Raymond Chandler was, and his famous hard-boiled detective character Philip Marlowe... I like mystery stories, but never once have I read one of his books, until this week.
But when I saw Marlowe's praise for Fleming's Diamonds Are Forever, I thought, why not check out one of his books?
It's funny--this book collects fourteen Poirot short stories that were published between 1923 and 1924, which was years after the first Poirot novel came out in 1920. Yet it feels like Christie was still developing Poirot as I read through these.
I wonder if a bunch of Poirot shorts spent a few years in Christie's desk before the success of the novels gave the magazines a better reason to publish them?
Another thing I learned while working on this review was that a lot of these early Poirot stories are actually in the public domain!
One of the things I saw during my last library trip was a few Ian Fleming/James Bond novels! I didn't really have a preference, so of the three they had on the shelf, I picked Diamonds Are Forever. This is the fourth Bond book, published originally in 1956.
I'm not a big Bond fan, but I can't help but recognize the long history of popularity that the James Bond movies have had. I've seen a couple of them a long time ago, Goldeneye and Skyfall, I think, and bits and pieces of a few of the older ones (my dad likes them but also isn't a huge fan).
So I was curious what the books were like! Are they as action-packed as the movies? Are they solid novels or does the cinema help push them into the limelight?
When I did my reading and review of Arthur Machen's Three Impostors a while back, I kept finding critics who said it was too like Robert Louis Stevenson's New Arabian Nights. Well, now I've read the first volume of New Arabian Nights, and I think the critics were really digging when they came up with that one. I'll explain why in a minute.